#giving mulder and scully vibes

[lilgillybean]

Tell me this isn't The British X Files minus the aliens.

The vibes are out there.

[gingerteaonthetardis]

how this scene actually sounded. to me

[valenfield-inspo]

Jill Valentine & Chris Redfield - Resident Evil: The Umbrella Chronicles/Umbrella's End Moodboard

[matsuikookie]

I swear I feel like Skinner is the dad, Mulder is the eldest troublemaker son and Scully is the good yougest daughter. He would constantly ask her to look after Mulder because he never listens to him. She's his favorite child.

[vincentsleftear]

Hellooo!! I made a Fox Mulder inspired playlist to go along with the x files/msr one I made a bit ago! Thought I’d share :)

[gregmarriage]

x files 1x08 ‘ice’ was so fucking funny for having mulder make a joke about the size of his dick in front of two other men, and scully touch a woman’s chest as part of a medical exam, then immediately share a lesbian look with her, that has nothing to do with said medical exam

[agent-troi]

Mulder: *sighs* Scully: You bored? Mulder: Yeah. Scully: Wanna start drama for no reason? Mulder: I thought you’d never ask.

[marsixm]

im trying to wrap my head around why i dont get enthusiastic about reddit style fiction (not a dig but a descriptor) like scp and shit like that, bc its not that i can’t enjoy them but i think its like… when stuff is framed as if it were real, but its fiction, its like, well KNOWING its fiction eliminates a huge element of the intrigue, but also, crucially, i like character-driven stories, or at least stories WITH characters. but i also like it when things are interesting for said characters to experience, like, i want the ghosts and monsters and conspiracies but i want the characters to be character-ing, yknow? not that i dont enjoy slice of life and… what would u call the first thing, non-character specific horror? idk? but i prefer when its both. its like i love kirk and spock but also i do enjoy watching them Experience Situations when i watch star trek. i enjoy the idea of spooky national forest monsters that arent real but experiencing it alongside a character would be better, and i want more trans and gay characters whose lives are clearly trans and gay but i want a plotline to unfold too

[webstersdiary]

oh god oh fuck i wrote 2k of webgott x files au since that last post i feel genuinely possessed

[boldlykrispytragedy]

Why do we never talk about this picture

[pagannatural]

2.07 The Usual Suspects

-Sam being interrogated about Dean is so so good because we get to see Sam being told that his brother is a scumbag criminal and the way he reacts by rolling his eyes like he’s heard this before. It’s almost like seeing a teenage version of Sam. The detective keeps telling him to throw Dean under the bus and the whole time he’s just giving attitude and plotting how to help Dean and work the case. He keeps looking out the window. Some of his reactions are raw and some are fake and some are both and his mind is running through his options assessing what to do and how to get out of this.

When confronted with the cliff notes on his and Dean’s life, Sam runs the gamut of emotion from sad and grief-stricken about Jessica to defending Dean and acting all scandalized to being a smartass, to whatever the hell this is when she says “it’s not your fault he’s your brother, we can’t pick our family”

The double meaning here. The not meeting her eyes, the tension on his face, the disdain. It’s giving Bitch don’t I fucking know it, yet I would choose him a thousand times and every time I would be a little bit miserable. “It’s not your fault he’s your brother, we can’t pick our [soul mates]” is probably what God tells him in his most comforting dreams.

-So the detective’s theory is what? That after a shared sordid serial killer childhood Sam escaped the life and then Dean murdered Sam’s girlfriend in a house fire to lure him back in and make him his crime wife?

Because I mean yeah I would read that AU. That fits their vibe pretty nicely.

-She says “Dean’s a bad guy….his life is over, yours doesn’t have to be” and Sam looks at her like that’s the dumbest thing he has ever heard.

She doesn’t know that they become sickly and depressed when they’re apart like a pair of bonded sewer kittens.

When she tells him he can get on with his life and Dean’s as good as gone you can almost see him tuning her out and calculating how to lie about this.

-Sam starts on his cover story, using his trademark Sweet-Innocent face. He relies on his charms and on appearing helpless to manipulate people into doing what he wants. He would’ve learned to do this when he was a child as a survival skill, and I can just imagine how well this complemented Dean’s tough but earnest seduction thing. Acting sweet and helpless when you’re actually savvy and resourceful is a trope commonly used in female characters. These traits (innocence, sweetness, feigned helplessness) are associated with women gaining/utilizing agency in the ways available to them.

Because narratively, Sam is the girl. It’s stuff like this, plus the way he’s depicted as Dean’s tempting damsel in distress in other episodes. It increases the sexual tension between Sam and Dean when they rely on these archetypes because we know what it means when two leads are masculine and feminine, when they need each other and the plot hinges on their conflict. It means they’re the love interests.

-Dean makes a joke about Sam being Scully, and Sam’s like I’m not Scully you’re Scully, and Dean says “No I’m Mulder. You’re a red headed woman.” Really spelling it out.

Dean is smirking and making prolonged eye contact and just— he’s flirting. There’s a Bruce Springsteen song titled “Red Headed Woman” about how “it takes a red headed woman to get a dirty job done.” I have no idea if this is what Dean’s referencing or if it’s just a Scully reference but it’s a very specific thing to say and Sam is brunette. The song is very suggestive.

-Dean HATES waiting around while Sam works. Within seconds he becomes insufferable and has to leave to go do something, flirting with Sam again on his way out.

-“Sam’s story matches Dean’s to the last detail” they didn’t even SEE each other before talking to police! They’re just so connected that they tell the same exact story. Then they both work on the case in their separate interrogation rooms using different methods and arrive at the same conclusion at the same time. They also make the same joke about their public defender.

-I keep seeing this post about who knew Dean better, Sam or Castiel, and I just want to point out that these two are so in sync they can essentially read each others minds.

-We have an outsider perspective on their lives and relationship a few times this episode, and the detectives comment more than once on how weirdly connected the brothers are. Like, Dean communicates to Sam via movie reference to escape and Sam is already all over that, he’s been assessing how to climb out the window since his first scene.

-Dean tells the detective to go to Sam so that Sam can save her life, giving her their info on “how we find each other when we’re separated.” That’s very practical. It’s also true that when they aren’t together they are obsessed with finding each other and making sure they know exactly where the other is at all times. They must have felt so untethered when Sam was at Stanford. I’m imagining Sam going on a little trip over spring break and feeling like he’s forgetting something really important and starting to panic only to realize it’s just that Dean won’t know where he is.

[pookie-mulder]

My Holy Grail Fics

After the past several months of reading TXF fic, here are some of my ultimate faves so far! I’d love to know what your holy grail fics are, as well. This fandom is full of incredibly talented writers!

(Also, if have any recommendations of fics you think I’d like, send them my way!)

The Boy on the Beach by @cecilysass

I read this entire thing yesterday. Ooh boy was it a page-turner! Time travel in fiction can get dicey, but this one handles it so well. I love how the time travel plot forced M&S to confront themselves and their pasts in order to better understand each other and move forward in their relationship.

Gaslight by @sisterspooky1013

This one should come as no surprise to you. It’s rare that a fic consumes my every waking thought and I spend every free second reading as much as possible, and boy, this fic delivered. I’m such a sucker for stories like this one where the character(s) don’t know if they can trust their own minds and have to really dig deep inside themselves to find the truth.

Pause by @cecilysass

Similar concept to Gaslight as far as the amnesia goes, but totally different vibes! I love the dramatic irony of the reader putting together the pieces before Scully does. It’s agonizing in the best way!

Fall Into Place series by @skelavender

My favorite WIP fic! I look forward to reading the newest installment every Friday. I adore the slowburn, UST, teetering-on-the-edge-of-something-more MSR, and LT is the master of it! This series is filled with heart-squeezy moments that make me feel like I’m melting into a puddle of goo.

X-File #02291996 by @skelavender and @7crowsinadress

Time loop my beloved! Such an interesting (and 🔥🔥🔥) take on this trope. I can’t wait to see where it goes!

Arizona Highways by Fialka

I’m always down for an Emily AU, and this one has such a compelling, angsty twist and an air of mystery that forced me to keep reading late into the night!

Tempest by MissyPennington

I love a good survival story! There’s something so delicious about two people leaning on each other both physically and emotionally to keep going. The follow-ups are incredible, too!

All That Is Dark and Bright by @malibusunset-xf-blog

Amazing Emily AU! Dad!Mulder is my weakness. Plus, I love the way they figured out how to treat her illness. It really felt like something that would happen in canon.

I’ve Got You Under My Skin by cuits

Beautiful soulmate AU! Only M&S could have literal, undeniable proof they’re soulmates and still overthink their relationship to a ridiculous level. And I ate it up! Give me the angst! The drama! The tension!

Emily AU by skuls

Last Emily AU, I swear! This series melts your heart in the first installment, crushes it to pieces in the second one, and then makes everything better in the finale.

Update 7/16/24

Here’s some more!

Blinded by White Light by @dashakay

Omens by lepusarticus

Heuvelmans’ On the Track by The_Mythopoedic

Finding Rokovoko by prufrockslove

Belphegor’s Prime by prufrockslove

[randomfoggytiger]

React: A Late-Canon Reviler Gives the Revival a Try (Plus One, Forehead Sweat, Ghouli, Kitten, Rm9sbG93ZXJz, Familiar, Nothing Lasts Forever), Part VI

Part I (My Struggle I), Part II (Founder's Mutation), and Part III (Weremonster), Part IV (Home Again), Part V (Babylon), and Part VI (This.)

Had to cut down on my react posts because I didn't have the time, drive, or willpower to keep plowing through at the same rate.

OVERALL THOUGHTS

The usual complaints.

There are overly dramatic "DUUUUN" musical cues, scenes end too quickly, camera shots transition at odd times, and the cast can be too wooden or too emotionless in moments that desperately need something (Mitch Pileggi excepted. He nailed it.) David and Gillian trade off believability in their respective roles; and usually not in the same scene (unfortunately.) Scully is stuck with her 30-years-a-smoker voice; and Mulder magically finds every answer he could ever want from the Dark Web. (I don't think "the Dark Web" means what the writers think it means.)

However. The plots are tighter, the humor more effective, and the pacing (a tad) better constructed.

I wouldn't mind rewatching mid-S11 if it followed different characters in a different show. As it stands, nothing really hit the spot.

PLUS ONE

Mulder and Scully are but aren't but are together in S10 and S11. They also are in This but aren't in Plus One. What the script says they do versus what DD and GA portray them doing often clash.

Yeah, Mulder and Scully are already involved again in this episode. My theory: scoot-in-your-boot is a private in-joke they have. Backed up by: his twinkle and her quick "I'm scooting you out of here."

The siblings were like a Punch and Judy show, get it? (Chucky Poundstone? Punch? Ehhh? Also, Chuck like Chucky the doll. ...And also like the other Revival Chuck doll, Mr. Chuckleteeth.)

Plot problems:

A man who matched the profiles of recent, suicidal "sudden schizophrenia" victims was left, alone, in his cell while he screamed for help. That would not fly by 2015 standards. And if it did, there would be serious consequences or a serious attempt at a to cover-up (which the cops didn't attempt to do.)

Chucky Poundstone: Fight Club levels of overacting.

Mulder and Scully were constantly called hot not because the topic naturally bloomed in conversation but because it was relevant to the episode's theme.

Scully let Demon Judy get to her. Scully wouldn't have been bothered to be out of "child-bearing age" because Mulder might want kids with someone else (WHEN HAS MULDER EVER)-- she should've been bothered because she wasted their one shot at parenthood and "threw away" their son. Wrong track, wrong manipulation tactic. Like point 3, this was only brought up to serve the episode's theme, not because it was crafted to fit the characters.

A lot of Mulder and Scully's theories talked past each other or leaped from point to point without fully fleshing out the last one (i.e. Scully derailing their theories to insist that ghosts don't exist.)

Scully almost threw away the pills Judy gave her instead of, I don't know, testing them first.

Scully and Mulder didn't keep the lawyer under surveillance after he saw his double.

Scully didn't believe in the Devil anymore... despite the fact that she used to, and we aren't told when or why she changed her mind. Imperative character development the writers neglected.

Scully thought it was more plausible that a man would cut off his own head through shared psychosis than the possibility of a supernatural element at play.

Scully was butchered either way: she believes in a supernatural element but doesn't want to admit it to Mulder because Judy might be right about her; or, she believes everyone is in a state of delusion yet still gives weight to Judy's pokes about her age.

The "Can you hold me?" scene was pleasantly in-character for Scully, but wobbled and waffled for Mulder. It also bucked up against their "we're already together" vibe, and didn't fit with This (at all.)

"I don't have anyone to have one [a kid] with even if I could [have kids]." Script, don't insult my intelligence; Scully was literally in Mulder's arms when she said this ("What are we gonna do?"/"We'll think of something" kind of saves it. Rather, salvaged it.)

Mulder didn't see Scully's doppelganger even though he was facing the doorway and was on high alert. Scully didn't TELL HIM she saw her doppelganger earlier (which is stupid because she'd either be aware it's-- hello-- an evil entity or she could be considered a risk in the field.)

Mulder ran off WITHOUT SCULLY after seeing his double and after she admitted to seeing her own earlier.

Scully ATE RANDOM PILLS instead of, I don't know, analyzing them first. The plot needed to have Scully have the pills because she wouldn't have saved herself otherwise. And also: why did the placebo pills work??? We're never told anything about them other than they're leftovers from Judy's food, and that the nurses superstitiously take them, too. That's it. No followup.

Scully continued to drive after seeing "herself" in the backseat. She should have pulled over-- even if she believed the doppelganger was only an illusion-- because she'd become a road risk and was following the pattern of the other victims.

The siblings just got mad at each other and wrote each other's names in the hangman slots. Which saved Mulder and Scully while killing each other, conveniently.

The "Mom" and "Dad" hangman papers haven't aged a day, despite being written, supposedly, when Chuck and Judy were kids.

DD salvaged the ending by waiting in the doorway for Scully.

Plus One thrust me into a world where Mulder and Scully are jumping in and out of bed, from Unremarkable House to motel, from etc. to etc., without ever talking about their future-- more accurately, where the writing pretends Scully never pondered the obvious conclusion.

THE LOST ART OF FOREHEAD SWEAT

This episode worked... up to a point.

As a one-off, the comedy hit pretty consistently and Reggie was an enjoyable third wheel. (I admit: I ALMOST laughed out loud when Reggie shot Eddie Van Blundht in the head.) The writing was tight, the dialogue flowed smoothly, there were no out-of-place musical beats or lingering camera shots.

As a part of the overall canon?

Forehead Sweat solidifies, for me, what doesn't work about the "modernization" of the Revival. Dr. They kindly pronounces that Mulder and his way of life is no longer necessary in the current age... and that's the stickler. The current age. Fox Mulder didn't fit into the current-world 90s, either, because the mythology and Consortium and mystery behind the original show was a fabrication inspired by old politics-- the Cold War-- that was then mapped onto a very loose, very forgiving framework. If Carter and Co. had kept to that formula, had steered away from cookie-cuttering the 2015-2018 political climate into their show, then Fox Mulder and Dana Scully wouldn't seem so lost and out of place chasing X-Files in the forest in their 50s while aliens did or didn't plan to colonize the planet and Skinner might or might not be on their side. Because that would raise questions: why hasn't the Trump Administration shut them down-- he'd consider their unit useless. Why are Mulder and Scully now afraid the FBI will be suspicioned or "shut down" if it's always been corrupt, if even now they serve a counter-culture role to the establishment, instead of striking off on their own? More importantly, in an era steeped in finger-pointing and blame-shifting and distrust and disbelief, there's no way the cases that drift to the basement wouldn't be blown up on social media within hours-- especially when the 90s already had NICAP and MUFON and other groups who closely followed their niche interests. The logic of The X-Files quickly falls apart in a world that would afflict stricter and harsher consequences, 2015 and 1993 alike.

That aside, this was the best Revival episode, thus far, in terms of quality. I will give it that. (Note from the future: that will be outdone, I believe, by Kitten.)

Plot problems:

The comedy bits hit, but Mulder and Scully warp in and out of character to achieve them (particularly: the repeated one where Scully keeps leaving before Mulder finishes rambling. Ironically, it's out of place with Darin's other comedic episode Weremonster as well as 200+ other examples of her character. But if the execution had been tweaked, those scenes would have been satisfying to watch. )

Mulder was LOUD. That's not new; but he was LOUD in the wrong moments, at the wrong times-- raising his voice, yelling, punctuating statements with STATEMENTS rather than his usual smooth pantomime or one-off, quick-witted remark.

The Babyfication of Dialogue continues ("sugarboobs", "I'm Fox Freaking Mulder, you punks!", etc.)

I'll bet Reggie kept hiding from the baddies in Skinner's office, hence why he knew him. This isn't a criticism so much as a theory. Or maybe those two gossiped over the water cooler-- Skinner knows everything and everyone, after all.

The Trump Administration poses no threat compared to the global Consortium and Conspiracy Mulder and Scully faced in the 90s. It was considered a threat to 2016s America, which would explain the "I feel like the world's gone mad" quotes the two leads keep kicking around. But, to them? Who lost and almost died and tried to save as many lives as possible to the Syndicate? And in a mythology that had large, regular gatherings of conspiracists who believed in aliens and distrusted the government (as seen in The Red and the Black), it disrespects the intelligence of its viewers by injecting and magnifying struggles that Mulder and Scully would philosophically take on the chin.

GHOULI

Another bump up in quality. The sharp back-and-forth camera techniques are better utilized with this episode's destabilizing, reality-questioning moments. Mulder rambling about the pathos and history behind classic monsters is a classic Mulder moment, Scully snorting and slightly smirking as he does so is a classic Scully moment. Is this the origin of the "Bob" nickname on Tumblr? The girl's "Kids would get stoned on it, in the summer. ...Not me!" was hilarious. Scully's speech in the morgue was the most Scully moment I've seen thus far. Scully subtly admitting to hiding evidence from her parents in her mattress (like Jackson.) Skinner always gets updates about Mulder's activities through other government employees' complaints.

Demerits: shots and cutaways still, well, cutaway at odd moments. Instead of holding on a scene and easing the audience into the atmosphere, cutcutcutcut snaps them out of it. But that's par for the course in the Revival; and it's not tooooooo badly done in Ghouli. Hoebag Jackson Van de Kamp. Mulder didn't get a moment to grieve over his son.

Thoughts? It turned from gripping mystery to big, fat disappointment. Skinner was great, Scully's morgue scene was great, um, Clone!Mulder had a nice moment or two. Jackson stank. As a condensed, disparate experience? It's alright. I quite liked it. (But it still wasn't The X-Files to me, etc. etc.)

Plot problems:

Mulder initially thought Scully's experience was sleep paralysis when he quite literally experienced this before in Paper Hearts. And neither were off-put or shaken by the similarities. (The episode tries to patch this up with, "You've been receiving visions through seizures. I'm sure this is another form"; but that's after she pointed to an open x-file and identified that boat as the one in her "dream".)

Mulder quoted a quote similar but different to his own from the original show. Instead of, y'know, quoting his own quote.

Mulder and Scully's kid is just Free Willying it up everywhere. And for what?

If CC wanted to do away with William (and that's an if), his death and his last attempt at justice for himself and his adoptive parents would have been a mature, heartbreaking way to do it. But no, we got My Struggle IV instead.

Mulder is oddly hesitant to believe his son's alive-- he's usually the one who is borderline delusional about believing and having hope. Yes, the series is supposed to show Mulder on the "other side": depressed (maybe? jury's out), burnt-out, and afraid to believe. But it goes back and forth on that message so often that there is no concrete change in his character to hold onto.

SKINNER'S ON THE CSM'S LEASH AGAIN.

We're back on the "men in Conspiracy but actually aliens but ACTUALLY men in Conspiracy" schtick. Pick a lane, mytharc.

Jackson played dead but it backfired because his parents found him not the agents; then he had to escape so the agents know he's on the run anyway, so.... *Cue Tony Stark*: "Not a great plan." Jackson is an idiot.

Mulder puts together all the pieces of the case off-screen without us, the audience, being there to see him working the mystery out logically. A "tell don't show" approach that undercuts the brilliance of his leaps.

Jackson let his two gfs see a monster and stab each other.... Jackson is an idiot.

Jackson made up a monster legend website to prank both his girlfriends-- who don't know the other exists-- at once; and ended up causing them to stab each other in fright. Jackson's an IDIOT.

Jackson is an IDIOT and a bit of a psychopath. And a LOT of an IDIOT. And he only got his visions and powers recently (since My Struggle II or III, it would appear); so he had to be an idiot before unlocking his abilities-- like the Rush highschoolers. So. Great going, writers.

SARAH TURNED HIM IN BECAUSE HE WAS KISSING ANOTHER GIRL. I mean, get him, girl; but then don't come groveling back.

JACKSON DOES THE MULDER FOREHEAD TOUCH WITH ONE OF HIS TWO GIRLFRIENDS.

JACKSON GOES ON THE RUN INSTEAD OF ASKING FOR HELP FROM HIS POSSIBLE BIO MOM DESPITE HAVING VISIONS OF HER BECAUSE HE'S AN IDIOT.

Mulder. Never. Had. A. Moment. With. His. Son. WHYWHYWHYWHYWHYWHY.

Oh. Mulder and Scully accepted their son wanted to move on with his life, away from them. ...Nnnnnnnoooooooooo, Jackson's not safe and is now an orphan and a high school dropout. NOPE.

KITTEN

This is Blood and Sleepless and Wetwired 4.0. ...But it's not bad.

Mulder snooping around Skinner's kitchen... fine, I liked it. Sue me.

The cop... fine, sue me, I liked him.

Skinner's code name is Eagle... because he's bald. I don't care, sue me, that was hilarious.

Skinner had the best speech.

I admit: I really, really do like this episode. It's the only one that fits into canon, oddly. (Mulder and Scully aren't themselves, etc. etc., blah blah, what else is new.)

My overall thoughts: Um. What did it achieve? Kinda progressed their characters forward... but had to regress them, first. Mind control and chemtrails and falling teeth and Mulder and Scully possibly holding Skinner's career back and Mulder distrusting Skinner but trusting him again while Scully did trust Skinner and was proven right in the end.... And a reference to Mulder's juices. It was necessary for Season 11, character-wise-- a "let's repair the damage to Mulder's trust issues" (which had been resolved?? in This but then wasn't, I guess??)

Plot problems:

There goes S9 Kersh's character development: all that he came to believe in. Right down the drain. (Not that I care; but keep it consistent, series.)

Scully questioning what happened to "the old, reliable Skinner we always knew and loved" is RICH considering A. she and Mulder were questioning his loyalty not five episodes ago and B. Skinner constantly got his hands dirty to help them out (which they largely forget in the Revival, for plot reasons, unless forced into a corner.)

Mulder: "As much as I don't trust the guy right now--" EXCUSE ME. I don't care what My Struggle II or III implied, Mulder of all people, Mulder, has seen Skinner squeezed into tighter corners and still ended up trusting him.

Skinner's getting framed, again, on surveillance tape.

SCULLY giving Skinner the benefit of the doubt, NOT MULDER.

There's no way Skinner's surviving that wound without blood transfusions and serious medical attention. Nope.

Skinner... was behind the two agents... in a pit... but managed to not only climb out but outrun them... in the woods... with a side wound... and knock over a full-grown man... and punch him enough so that said man could get caught in his own trap. ...'Kay.

So. The teeth falling out was never explained. Except to suggest, I guess, that the gas slowly rots them out? Except the policeman and his wife also had teeth loss? Or was that as a comedic bit? Or/and a comedic bit? Who knows!

WAIT, I WAS WRONG. CHEMTRAILS. Really. CHEMTRAILS SPREADING POISON OVER THE TOWN. (Blood already did this but BETTER, writers.)

Mulder's "We're with you" is undercut by nearly 30 years of previous history.

Rm9sbG93ZXJz

This episode is, again, not too bad.

The characters, again again, don't feel like Mulder or Scully to me; but I could see Mulder and Scully doing the actions that the characters did. All in all, I can see why those who like the Revival would enjoy watching this.

Also, I still wish Clone!Mulder never had to pay the tip.

Plot problems:

The world with all this tech doesn't coincide nor coexist with The X-Files universe (and, yes, that including the Revival.)

The whole... not speaking thing. I know it was supposed to be artistic or to convey some layered meaning; but, narratively, it was off-putting. Perhaps if they'd both been knocked about in the field, and it was painful to talk? Mutual tonsil surgery? Anything??

Whipz. Get it? Scully whipz and naynays.

The robots having that much influence over lesser forms of tech (i.e. Mulder's cable, not a smart tv....)

Mulder would have absolutely spiraled if he'd experienced half of what this episode put him through. Scully would have spiraled. None of this would not have been easily brushed aside with a tip.

Mulder still calls sex phone operators; and the machines ratted him out to Scully. Either that, or it was a callback just so Mulder could tell the caller to "Shut up." He's grown and changed, guys~~~~~.

It doesn't make sense why the robots are trying to kill Mulder or Scully if they want a tip from them. OR, one could argue, the robots are threatening Scully's life so Mulder will pay the tip. Either way, the two could have been killed multiple times if they hadn't ducked or dodged. Seems counter-intuitive, and mostly just in service for a "surprise, we just want the tip" twist ending.

"We have to be better teachers." REALLY. That's the takeaway. Not the fact that they were almost KILLED due to the incompetence or oversight of whoever created these robots. REALLY.

FAMILIAR

So. Uh. Classic X-File. Held up pretty well. Classic Mulder eating crime scene evidence. The script was old-school tight.

In other words, this was Chimera 2.0. But not as great.

Plot problems:

The police immediately rule out the child's cause of death as a murder. And think it might be a coyote. Or a coy wolf. ...Uh huh.

"You're my homie": Babyfication back.

Scully doesn't believe in human combustion. ...Honestly, shakes out with her theory having been disproved in Trevor. (Although, I don't know if there was a spontaneous human combustion case in S9, feel free to correct me.)

Scully telling Mulder he's "wasting his time" for wanting to interview a little girl who was an eyewitness. ...WHAT.

The boy's mother is... not the best actress. Taking me back to the OG show at times.

What are those creepy teletubbies. Nightmare fuel.

The community... didn't know... there was a convicted sex offender... in their midst. ...Did no one care to look up, I don't know, A SEX OFFENDER REGISTRY??

WHY is Scully fighting back against his witchcraft thesis when she's witnessed a witch doctor plastic surgeon AND a bewitched doll??? Amongst other things????

Gotta admit: I chuckled when Mulder accidentally got the Chief to confess to an affair (his "I... did not see that coming.") However: that scene was wildly out of place amidst the tragedy of the salt-circle and the possible murder of the innocent-in-this-case pedophile.

The episode just skips from the police officer shooting the pedo straight to the officer's trial. ...What happened to that old curse put on the town, huh? Just... took a break for a couple weeks? Mulder and Scully stuck around, or flew out-and-in while Mr. Chuckleteeth took a power nap?

Officer Wentworth let Scully's suspicions slip to the child's father, at the child's funeral, and is kind of portrayed as the good guy here. He doesn't express remorse for not following protocol (especially to a broken-down father grieving the death of his child), only that he is "sickened" a man (the father he broke protocol for) gunned down another man without due process. ...'Kay.

So, all the responsible parties involved all die because the jealous wife was cursing the cheating woman and eventually her husband. ...But if that's the case, why did the Hellhound go after the CHILDREN first, not the two people it was summoned to punish?? Usually things go awry after a bit of murder and mayhem, not before.

NOTHING LASTS FOREVER

What a stinker of an episode. Just when the cinematography levels out, the plot absolutely rots.

I did like Mulder scaring off the two officers by pretending to be a religious supernatural investigator.

And the church scene was good. It was necessary for this series, for these characters. Glad it was done. (I say Scully whispered she's ready to let go of the past: a.k.a. move back in with him, let go of the files even, let go of her rigid expectations of herself. Hence Mulder's line: "I always wondered how it was going to end.")

Plot problems (well... some of them, lost interest):

I hated... everything about that opening sequence. Doctors eating pancreases, illegal organ harvest, "chemtrails" reference, NINJA WOMAN WHO CAN TOPPLE A GROWN MAN, NAAAAH, GET OUTTA HERE. THIS ISN'T BATWOMAN, BOOOOOO.

Mulder's defensive over his glasses. ...They both have needed glasses since the 90s. Is Scully ribbing him over a stronger prescription?? I don't think so.

Mulder only has progressive lenses because the plot needs a contrast to a cult sacrificing people for eternal life (Our Town and Sanguinarium and Roadrunners, anyone?)

The gore's just off the charts, huh?

Crazy, washed-up actress living off of her shut-ins' blood. Possibly their organs. To remain forever young. ...I unironically read a better fanfic of this, ngl.

There are so many, too many, egregiously many plot contrivances. Wow. Here's just one set: Ninja killer is seeking vengeance but just happens to attend church the same day Scully just happens to attend church the same day Mulder happens to follow Scully the same day the priest happens to put up the verse that just so happens to correspond with the verse on the evidence organ cooler which just so HAPPENS to be tied to a small illegal operation keeping a crazy washed-up actress alive and young while she subsists off of parts from her shut-ins she "rescued" from the street. Stunning.

Mulder never had a dog: confirmed. ...But he did have a dog in his childhood photos, soooooooooo. Guess someone else gave it to him, then. (Or there is no show bible. Or this is an awful, no good, no-hate-if-you-like-it-but-I-don't universe.)

WE'RE STILL ON THE MAGGIE COIN NECKLACE??? What other answer for it is there except it was the date Charlie walked out of her life???? Ugh, forget it. The writers wanted it to be a mystery box. Then Gillian walked away from the series and nothing was resolved, yolo.

Mulder always bears North, Scully says, no matter how hard the wind blows against him. ...Except it didn't-- numerous times in this series, numerous times in this season, in fact. The Revival is, in fact, built on top of him losing his way pre-My Struggle I. So. Strike 1000 for missteps in Writing 101, I suppose.

Big Boss fight with a woman attached to his back. ...Guys, this isn't The X-Files, this is Resident Evil.

Olivia looks ghostly pale one second, then almost normal the second the guy she's attached to is murdered. ...Guys. She's attached to a dead guy. That's gotta be sepsis by the time she's in the hospital, right? Also: if Olivia was in THIS deep in a cult, she would have been devastated, not dazed but delighted, that her sister had killed the guy she was attached to.

CONCLUSION

I'm freeeeeeeeeeeeeeeeeeeeeeeeeeeeee!!!!!!!!

If I feel in a ranty mood in future, I'll cover the last three Struggle episodes. But until then, my Revival journey has reached its end.

And what are my final thoughts? The same as they were going in. ;))

Thanks for reading¬

Enjoy!

[thursdayinspace]

Mulder in "Little Green Men" (s2ep1). He's so lonely. What's interesting to me is the contrast to Mulder from the pilot and Mulder here. We got an idea in the pilot of how lonely he must be, but he had been on his own for a while and that was his default. Seeing him at the beginning of s2 is heartbreaking. At the begining of s1 he was so used to being alone. But now . . . Of course the fact that the x files have been closed is getting to him, but it also becomes so obvious how much he has come to rely and depend on having Scully around, on working with someone. With her.

Their meeting in the parking garage -- he feels like he has lost his purpose, even doubts his memories and his experiences, he feels like everything they've been through hasn't been worth it because they've accomplished nothing. We don't know how or if he would have managed to surface from that eventually on his own. Most likely he would have. But it might have taken him a long time. It's Scully who doesn't let him give up: "During your time with the X-Files, you've seen so much." / "Even if George Hale only saw elves in his mind, the telescope still got built. Don't give up. And next time we meet out in the open." (Which becomes a recurring theme over the years, all the way up to the revival. But that would deserve its own post.) (The way she touches his hair before she leaves though. <3)

What kills me in this episode is Mulder recording his tape for Scully in Puerto Rico: "Deep Throat said "Trust no one." And that's hard, Scully, suspecting everyone, everything. It wears you down. You even begin to doubt what you know is the truth. Before, I could only trust myself. Now, I can only trust you, and they've taken you away from me." I mean, compare that to pilot Mulder? Not trusting anyone was what he did. That was Mulder. He may or may not have been showing off a little bit for Scully, but he seemed to have made quite a home for himself in his lone wolf existence (out of necessity). He can't do that anymore. He needs something to hold onto. And he had that in his partnership with Scully.

Also. THEY'VE TAKEN YOU AWAY FROM ME. Can we take a second to appreciate what that means? He knows she would not have chosen to leave. He believes that. He trusts her absolutely. She's become a lifeline for him. Put that together with his quote from the end of the episode: "I may not have the X-Files, Scully, but I still have my work. And I’ve still got you. And I still have myself." The order of those statements seems important: He thought he had lost his purpose in the beginning of this episode. He wasn't even sure whether or not he still believed in it. Now he has motivation again.

And he has Scully. She stuck around, not just because of the work. When he was at his lowest, she arranged secret meetings for them, told him not to give up, even followed him all the way to Puerto Rico. He doesn't believe she'd have chosen to leave if the x files hadn't been closed, but I don't think he was sure she'd stick around forever without a reason. But she's relentless in her loyalty and friendship -- a trait he recognizes because it's one they share. He will never choose to leave her, and is allowing himself to trust that she's still there because she wants to be.

Finally, he's also got himself. Among all the things he'd lost at the beginning of the episode, the biggest loss was himself. But he was mourning everything except that. Those "good riddance @ former me" vibes were strong at the beginning of the episode -- and of course they were a form of grief. But it almost feels like he wanted to punish himself, blame himself for everything that went wrong. (That is also something we keep seeing. The show has amazing continuity with things like that. Things get to him. He takes failure really hard. He's not gentle with himself.) So this is the culmination of the previous two points: he has his purpose back, and he has someone who cares about him, who has his back, someone he loves (and I am going to use that term here even if it's debatable how aware they are of their feelings at this point; there are so many forms of love, and I think it's not up to debate that they love each other in some way, possibly even a way they may not even know about yet).

It's such a strong episode for him, and I love all the ways it mirrors the pilot and contrasts the Mulder from back then with the Mulder a year later. So much has happened, and neither he nor Scully are the same people they were, and that's life. It's so well done.

[cecilysass]

Hello! You once told me that I could always ask you for fic recs so here I am! I’ve only seen up to S2E17 so idk if you have anything that doesn’t deal too heavily after that. Minor spoilers/references are okay, just nothing major. I’m also not a smut person generally. If you can’t think of anything that fits those criteria, feel free to ignore this! I hope you have a lovely day:)

Okay, I am SO EXCITED about this question, but also nervous, because I don’t want to accidentally include something that will spoil you. I am going to throw a few recs out, and maybe others will think of more?

Universal Invariants by syntax6 This is so, so good. It’s a classic. A novel-length casefile, plus an AU riff on season 1 and 2 through the abduction arc, so I think you are entirely good with spoilers. The big change from canon is that Scully is still with her boyfriend, Ethan. (If you don't know Ethan, he is a character that was originally in the Pilot but cut from the actual show.) There are... other changes from canon, but you’ll see. There's some smut, but it’s not the focus. And there's a sequel to this, too, which you will definitely eventually want to read, but you're going to have to finish season 5 first.

the progression (and regression) of first names by skuls Scully works through some early identity issues in relation to Mulder. This author (skuls) is always delightful, always recommended.

Center Mass by kateyes224 This fic provides a painful, in character explanation for what might have happened between them after the Pilot that could have resulted in so much subsequent slow burn. Hot and angsty, but not really smutty.

Early On by sunflowerseedsandscience This is also an AU season 1 with Ethan, but this one is more focused on Scully slowly feeling her attention stray from Ethan as her relationship with Mulder develops. It's a series with ten (short) parts. It's very engaging. There are some smutty parts.

Eight Things That Could Have Happened In Oregon by Stephen Greenwood No spoilers here, only things that didn't happen but might sound like spoilers. This is wistful, a little sad, beautiful, odd. The First Year by mldrgrl Their first New Year's Eve, not long after the Pilot. I love the hesitant vibe here.

Still Feeling My Father Ascend - cecily_sass This is my own fic, so I am being kind of a self promoter recommending it to you. But it’s a Beyond the Sea post ep, and I know my own work pretty well lol, so I know there’s no later spoilers, or only really minor things that won’t be meaningful until later. It was written for a prompt for an early season fic exchange.

And I'm not going to recommend it exactly, but I do want to mention that one of the first works of XF fanfic was actually written in 1993 and published online in 1994, so during season one. It's called The Sound of Windchimes by Sarah Stegall. It's got some serious CW (noncon) and some pretty wild content (I've read it), but if you're brave or curious and interested in fan history, you can check it out. Here's the fanlore page, which includes links.

***

Obviously I can come up with SO MANY MORE fics as you get further along. So just let me know. I would say most XF fic is probably written about seasons 5 / 6 / 7 for whatever reason, so once you're in that range, everyone can give you tons. Anyone have any other favorite early season fic they can recommend? It's sometimes tricky because sometimes early MSR has later details embedded in it...

[azure-firecracker]

hey ! what are your top five episodes (out of all the seasons) and which are your favorite episodes to rewatch ?

I’m a first time viewer so this list will definitely change but I’ll pick out of those I’ve seen (through mid S4-ish).

This was SO HARD. I love so many episodes so much.

1) Irresistible. It says a lot that I consider myself to be Tumblr’s number one proponent of stop kidnapping Scully and this is my favorite episode. Very few episodes actually allow Mulder and especially Scully to deal with their trauma and this does so so beautifully and in a way that’s deeply true to who Scully is. Her need to be strong, to not be beholden to Mulder even though he’d do anything for her, and of course the amazing beautiful ending that I think about every day.

2) Anasazi. Best finale so far by a mile! I’ve called this a sick fic turned season finale and I stand by that. It’s so trope-y and I love it. It managed to give us lots of alien lore reveals without feeling too plot heavy or relying too much on infodumping. And MY GOD the msr moments in this were phenomenal. Truly the stuff of a fanfic writer’s dreams.

3) Pusher. I love a good Sherlock Holmes cat-and-mouse vibe, and I love a mind control story, so this was really just everything I loved. The tension was so palpable throughout! It definitely felt like the characters were always two steps behind in a chilling way. Plus the climax in the hospital is the show’s best climax (in my opinion). Phenomenal acting from both leads.

4) Colony/Endgame. My favorite mytharc two-parter so far, perfectly merging plot developments with emotional climaxes to keep me invested until the very end. I was guessing and trying to figure it out the whole time (I did not, in fact, figure it out). Everything that happened to Mulder in these episodes was so emotional and carried so much weight for his character. And I LOVE the last 6-ish minutes so much. We do not talk enough about the fact that Scully literally brought Mulder back to life.

5) Clyde Bruckman’s Final Repose. Comedy. Tragedy. The best guest star this show has ever seen. Scully plays noir detective. It’s hilarious. The ending will make you cry. What’s not to love?

Honorable mentions (in chronological order): Deep Throat, Ice, Beyond the Sea, The Erlenmeyer Flask, Ascension, One Breath, Quagmire, Wetwired, Paper Hearts, Never Again, Memento Mori

I’m not the point where I rewatch whole episodes yet, but here are some scenes I often revisit.

-Ending of Irresistible

-Memento Mori hallway scene (already-and I just watched the episode for the first time!)

-Literally any time Scully saves Mulder (yes, I have both vent crawling scenes on repeat).

-The pie scene from Jose Chung’s from Outer Space

-The outro from Unruhe (but it makes me cry).

And many more:)